Little Star has trouble resisting the Big Mooncake that Mama has hung in the sky in Lin’s (When the Sea Turned Silver, 2016, etc.) luminous departure from her usual block-print style.
After Little Star and her mama, both wearing jet-black pajamas adorned with bright yellow stars, bake a huge yellow mooncake, Mama reminds Little Star to leave it in the sky to cool. Of course Little Star tries, but she wakes in the night, unable to resist taking a tiny nibble. Mama surely won’t notice. Each subsequent night, Little Star steals another bite, and soon observant readers may realize what is happening: The Big Mooncake is waning from a full moon to a new moon. Lin’s storytelling is both clever and radiant. Painted in gouache against perfectly black pages, the characters’ pajamas have no edges, only the stars defining the separation between foreground and background. The mooncake gleams against the black as well, crumbs scattering like stars in the sky—a visual delight, suffusing the book with a feeling of otherworldliness that is offset by Little Star’s childlike authenticity and her loving relationship with Mama. An author’s note on the jacket flap indicates that while this story is not rooted in Chinese cosmology, it is Lin’s homage to the Mid-Autumn Moon Festival, her “favorite Asian holiday.”
A warm and glowing modern myth. (Picture book. 3-8)